
Wendy Ide
- Reviews
‘Thank You For Banking With Us’: London Review
Two sisters strain against Palestine’s patriarchal bonds in this effective Ramallah-set debut
- Reviews
‘Joy’: London Review
James Norton, Bill Nighy and Thomasin McKenzie star in this surprisingly sterile 1970s IVF drama
- Reviews
‘Endurance’: London Review
Doc uses digital technology to bring Shackleton’s 1914 Antarctic expedition back to colourful life
- Reviews
‘For Rana’: Busan Review
A circus motorcyclist in Iran is desperate to find a new heart for his ailing daughter
- Reviews
‘Montages Of A Modern Motherhood’: Busan Review
A first-time mother comes under increasing pressure in this astute Hong Kong drama
- Reviews
‘Waterdrop’: Busan Review
A bereaved teenager goes to extreme lengths to find a new family in this uneven Korean debut
- Reviews
‘Sicilian Lessons’: Venice Review
An ex-politician goes undercover in this Sicilian mob comedy which fails to hit the target
- Reviews
‘April’: Venice Review
An doctor in rural Georgia risks herself to care for her female patients in Dea Kulumbegashvili’s Venice Jury Prize-winning feature
- Reviews
‘Harvest’: Venice Review
Athina Rachel Tsangari’s film is a textured adaptation of a novel set in a 17th century Scottish village
- Reviews
‘Familiar Touch’: Venice Review
Sensitive drama follows an American woman struggles to keep hold of herself in the face of dementia
- Reviews
‘Don’t Cry, Butterfly’: Venice Review
A woman turns to the spirits to win back her philandering husband in this enigmatic Vietnamese debu
- Reviews
‘The New Year That Never Came’: Venice Review
The fall of Romanian leader Nicolae Ceausescu is explored in this 1989-set debut which won the top Horizons prize at Venice
- Reviews
‘I’m Still Here’: Venice Review
Walter Salles directs Fernanda Torres in a standout performance as a real-life matriarch in military-ruled Brazil of the 1970s
- Reviews
‘Battleground’: Venice Review
Gianni Amelio explores the moral complications of conflict in this hospital-set First World War drama
- Reviews
‘And Their Children After Them’: Venice Review
Small town in France, bad teenage decisions for the third feature by the Boukherma twins
- Reviews
‘Cloud’: Venice Review
The cybernet gets viciously real in Kiyoshi Kurosawa’s latest web-inspired thriller
- Reviews
‘Three Friends’: Venice Review
Emmanuel Mouret delivers a knotty Lyon-set romantic drama starring Camille Cottin
- Reviews
‘Kill The Jockey’: Venice Review
Nahuel Perez Biscayart is striking as an Argentinian jockey reinventing himself in Luis Ortega’s freewheeling drama
- Reviews
‘Lollipop’: Edinburgh Review
A woman fights to regain her children in this affecting British debut drawn from personal experience
- Reviews
‘The Ceremony’: Edinburgh Review
Two undocumented migrants take a strange road trip through the wilds of Yorkshire in this black-and-white British debut