All articles by Fionnuala Halligan – Page 4
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Reviews
‘Tuesday’: London Review
Julia Louis-Dreyfus stars in this ambitious feature debut from the UK, backed by A24
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Reviews
‘Haar’: London Review
A TV production manager reaches crisis point in Ben Hecking’s Budapest-set, Super8-shot second feature
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Reviews
‘The Pigeon Tunnel’: London Review
Errol Morris talks with John LeCarre in the late author’s last, no-holds-barred interview
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Features
Screen comment: UK indie producers are in crisis and need urgent support
UK independent film producers are being systematically devalued and unfairly treated as the industry booms around them.
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Reviews
‘The Rye Horn’: San Sebastian Review
Jaione Camborda’s second, elemental feature wins the Golden Shell at the San Sebastian Film Festival
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Reviews
‘The Successor’: San Sebastian Review
Marc-Andre Grondin impresses as a lauded fashion designer forced back down to his roots in Xavier Legrand’s twisted art thriller
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Features
The awards contenders from the autumn festivals
Here are the titles our critics think awards pundits are - or should be - looking at right now
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Features
20 stand-out titles from Toronto 2023
There was plenty to be excited about at this year’s festival.
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Reviews
‘Sorry/Not Sorry’: Toronto Review
Louis CK documentary reveals the deadly serious abusive underbelly of the US comedy circuit
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Reviews
‘Unicorns’: Toronto Review
Sally El Hosaini’s follow-up to ‘The Swimmers’ is set in the world of ‘gaysian’ drag queen cabaret.
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Reviews
‘Copa 71’: Toronto Review
Topical documentary examines the systemic sexism surrounding the 1971 Women’s World Cup in Mexico
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Reviews
‘In The Land Of Saints And Sinners’: Venice Review
Liam Neeson’s lone-wolf assassin attempts to atone for his sins in this 1970s Irish drama
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Reviews
‘Hit Man’: Venice Review
Richard Linklater turns the twisting true story of ‘fake assassin’ Gary Johnson into a funny, confident crowdpleaser
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Reviews
‘Priscilla’: Venice Review
Sofia Coppola explores the dark heart of Priscilla Presley’s relationship with rock superstar Elvis
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Reviews
‘The Theory Of Everything’: Venice Review
A conference about quantum physics in 1960s Switzerland plays host to this atmospheric noir debut
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Reviews
‘Explanation For Everything’: Venice Review
Hungary’s political divisions are manifested by a teenage student facing unrest both at home and school
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Reviews
‘The Palace’: Venice Review
Roman Polanski’s attempted comedy set in a Swiss luxury hotel proves to be anything but five star
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Reviews
‘Maestro’: Venice Review
Director/star Bradley Cooper conducts an impressively-mounted, if uneven, portrait of composer Leonard Bernstein