Latest – Page 10
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Reviews
‘Invisible Demons’: Cannes Review
Indian filmmaker Rahul Jain pulls no punches about his homeland’s environmental crisis
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Reviews
‘Are You Lonesome Tonight?’: Cannes Review
Wen Shipei’s lacklustre Chinese hit-and-run thriller makes its international premiere as a Cannes special screening
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Reviews
‘Drive My Car’: Cannes Review
Japanese filmmaker Ryusuke Hamaguchi effectively adapts a short story by Haruki Murakami
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Reviews
‘Onoda - 10,000 Nights in the Jungle’: Cannes Review
Opening Un Certain Regard, Arthur Harari’s feature follows a Japanese soldier who fights on through the decades
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Reviews
‘Rehana’: Cannes Review
Un Certain Regard drama set in Bangladesh follows one woman’s heedless pursuit of justice
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Reviews
‘Death Knot’: Udine Review
Indonesian genre outing marks a strong - if low-budget - debut for Cornelio Sunny
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Reviews
‘Before Next Spring’: Udine Review
A bright ensemble cast tackles the ups and downs of Chinese students in Japan
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Reviews
‘Poupelle Of Chimneytown’: Rotterdam Review (Closing film)
A young chimney sweep befriends a man made of garbage in this animated Japanese eco-fable
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Reviews
‘The Blue Danube’: Rotterdam Review
A stranger brings music to a Japanese community that has long been at war
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Reviews
‘The Story Of Southern Islet’: Rotterdam Review
In northern Malaysia, a woman embarks on a spiritual quest to save her ailing husband
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Reviews
‘Faceless’: Hot Docs Review
Hong Kong’s 2019 pro-democracy movement is seen through the eyes of four anonymous young activists
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Reviews
‘I’m Wanita’: Hot Docs Review
Can a middle-aged Australian country singer finally get her big break?
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Reviews
‘Cliff Walkers’: Review (formerly ‘Impasse’)
Zhang Yimou masters yet another genre with this 1930s-set spy potboiler
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Reviews
‘Cafe By The Highway’: Moscow Review
A scarred young woman befriends a Russian man who is searching for a lost space capsule in rural China
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Reviews
‘Lost Boys’: CPH:DOX Review
A drug-fuelled escape to Southeast Asia becomes a nightmare descent into debauchery for Finnish director Joonas Neuvonen
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Reviews
‘Islands’: SXSW Review
Tagalog-language SXSW Jury prize-winner is set inside Canada’s Filipino community
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Reviews
‘The Drover’s Wife The Legend Of Molly Johnson’: SXSW Review
Leah Purcell directs and stars and writes this Outback revenge thriller based on her own stageplay of an 19th century story
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Reviews
‘My First Summer’: Flare Review
A sheltered teenager comes to life after a tragic incident in this candyfloss Australian debut