Latest – Page 5
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Reviews
‘Til Kingdom Come’: IDFA Review
A provocative look at the links between Israel and American evangelical Christian groups
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Reviews
‘The Translator’: Tallinn Review
An exiled translator risks everything to return to Syria and rescue his brother
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Reviews
‘Downstream To Kinshasa’: DOK Leipzig Review (Cannes Label)
Unbowed survivors of a bloody conflict take to the road - and down the river Congo - to protest their case
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Reviews
‘Children’: DOK Leipzig Review
Ada Uspiz’s camera dramatically demonstrates how children grow up all too quickly in Palestine
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Reviews
‘Children Of The Night’: Busan Review
A chilling documentary takes us inside a Turkish refugee camp in which boys are trained to kill
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Reviews
‘200 Metres’: London Review
First-time feature details a Palestinian father’s desperate attempts to get back into Israel to see his sick son
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Reviews
‘Ghosts’: Venice Review
Venice Critics Week winner is a timely story set in Istanbul of the very near future
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Reviews
‘Notturno’: Venice Review
Gianfranco Rosi’s documentary captures those who live on the tense borderlands of the Middle East
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Reviews
‘Laila In Haifa’: Venice Review
Drinks, sex and commentary flow freely over the course of one night in an Israeli bar
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Reviews
‘Sun Children’: Venice Review
A Dickensian tale with a Disney feel set in Iran’s bustling metropolis
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Reviews
‘Honey Cigar’: Venice Review
Stirring coming-of-age drama parallels a woman’s sexual awakening with Algeria’s political adolescence
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Reviews
‘Gaza Mon Amour’: Venice Review
The Nasser brothers turn their lens on a late-life romance in Gaza featuring Hiam Abbass and Salim Daw
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Reviews
‘The Death of Cinema and My Father Too’: Cannes 2020 Label Review
Self-reflexive debut from Israel boasts an ambitiously labyrinthine structure
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Reviews
‘The Art Of Living In Danger’: Sheffield Doc/Fest Review
A look inside the struggle against domestic violence in Iran
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Reviews
‘The Pageant’: Visions du Réel Review
Behind the scenes of the annual ‘Miss Holocaust Survivor’ competition in Haifa, Israel
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Reviews
‘There Is No Evil’: Berlin Review
From Iran, director Mohammad Rasoulof orchestrates a cautionary tale in four chapters
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