Latest – Page 4
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Reviews
‘A Hero’: Cannes Review
Asghar Farhadi returns to Competition with the story of an unlinkely man caught in a social media storm
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Reviews
‘Let It Be Morning’: Cannes Review
An Israeli Arab visiting his hometown finds himself under military seige
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Reviews
‘Hit The Road’: Cannes Review
Panah Panahi raises the roof with his Directors’ Fortnight triumph
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Reviews
‘Lingui: The Sacred Bonds’: Cannes Review
A single mother struggles to protect her pregnant daugter in Mahamat-Saleh Haroun’s Cannes Competition title
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Reviews
‘Ahed’s Knee’: Cannes Review
Nadav Lapid plays in Competition with a caustic story about an Israeli film-maker forced into a cultural compromise
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Reviews
‘The Son’: Moscow Review
A middle-aged Iranian man struggles to grow up after the death of his mother
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Reviews
‘The Last Shelter’: CPH: DOX Review
Moving documentary about life at Caritas House of Migrants, a refuge for travellers on the edge of Mali’s Sahel desert
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Reviews
‘Our Memory Belongs To Us’: CPH:DOX Review
Three exiled Syrian journalists reunite to watch footage from the beginning of the revolution
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Reviews
‘Children Of The Enemy’: CPH:DOX Review
An man attempts to rescue his oprhaned grandchildren from a Syrian refugee camp
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Reviews
‘The Return: Life After Isis’: SXSW Review
In a desolate camp in Northern Syria, stateless ‘Isis Brides’ open up to Alba Sotorra’s sympathetic lens
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Reviews
‘Captains Of Zaatari’: Sundance Review
In a refugee camp in Jordan, football offers hope to two young boys
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Reviews
‘Sabaya’: Sundance Review
Tense and riveting doc follows attempts to free captured Yazidi women from the notorious Al-Hol camp
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Reviews
‘President’: Sundance Review
A remarkable story of bravery and determination against daunting odds in Zimbabwe’s first “free and fair” elections
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Reviews
‘Toorbos’: Review
South Africa’s Oscar-entry is set in the poor white backwater of the 1930s
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Reviews
‘The Milkmaid’: Review
The first-ever entry from Nigeria competes in the International Feature Oscar
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Reviews
‘Lift Like A Girl’: Review
Behind the scenes at Egypt’s unorthodox training camp for champion female weightlifters
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Reviews
‘Here We Are’: Macao Review
Nir Bergman’s road trip across Israel is a loving portrait of a father and his autistic son
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Reviews
‘Radiograph Of A Family’: IDFA Review
What led Firouzeh Khosrovani’s mother to embrace revolutionary Islam so fervently?
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